But you are always looking at the light during breaks in the action as it changes as the sun sets and the artificial lights become your primary light source. I want ISO 100, so here I have 6 more stops. Some cameras have additional features to get exposure right. She's not really underexposed, she's just exposed the way the photographer wanted. At night, I highly recommend avoiding spot metering; in my experience the wide/average/matrix (every camera calls it something else) metering modes are much more reliable. I've used those for years as a starting point for manual exposure. The 1D X series also utilizes an RGBir metering system coupled with enough processing power to take advantage of a very extensive internal library of exposure scenarios. The subject was buildings and streets after 8 or 9 pm, so the sky was completely dark. Light metering is fundamental because it helps the camera know precisely where and how to look at the light within the frame.Without understanding light metering in photography, you can end up with a poorly exposed image even if there is plenty of light to work with.. Knowing how to use the light meter relies on understanding the interplay of shutter speed, ISO, and aperture. Metering mode controls how much area of your frame is measured for an exposure.Like exposure mode above,... White balance. There is a lot more going on in these shots besides exposure that make them so well done. Do not forget camera want to make shoot to be 18% gray so set 1 or 2 stops down to make it dark :), P.P.S. site design / logo © 2020 Stack Exchange Inc; user contributions licensed under cc by-sa. So, all you have to do is set EC accordingly. In dark environments with brightly illuminated subjects I'm not afraid to dial in -2 to -3 stops of EC or to set settings manually that leave the meter showing -2 to -3. The light changes rapidly in the last few moments before dawn. This is the principle of auto exposure, it measures light and render the image so that on average, it has a mid-tone because it is assumed that the world on average is mid-tone. It might have been several hours before when you set up your camera before you left the office knowing what kind of shooting you were going to be doing and in what kind of light you were going to be doing it. With practice, I can pretty much guess how much EC my camera needs in different situations. How do I legally resign in Germany when no one is at the office? You know when a scene is dark or bright. The first part of setting your exposure for night photography is determining what exposure level is necessary. How can you trust that there is no backdoor in your hardware? . rev 2020.11.24.38066, The best answers are voted up and rise to the top, Photography Stack Exchange works best with JavaScript enabled, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site, Learn more about Stack Overflow the company, Learn more about hiring developers or posting ads with us. The Milky Way season is of, Fall vibes Light metering in-camera – How to use the light meter? Learn to use your camera's exposure lock feature. As there is more and more light in the scene, various forms of metering, combined with exposure compensation, become more effective. Or it could have been taken in AE mode metering just the woman, but using exposure compensation to dial down the exposure level. Shot #18, where an in-focus woman in a black leather jacket is silhouetted against an out-of-focus bright crowd, is a good example of how the camera's metering controls can help you get a great shot that simple evaluative metering and automatic exposure would never create by themselves. Obviously, because the work was … Always. Thanks for contributing an answer to Photography Stack Exchange! I think the key is to try and use one method consistently enough until you gain enough experience with that method to see with your eyes the way the meter will see the light in the scene. How they would have arrived at those manual settings would have probably been more varied than the number of photojournalists asked. P.S. Night scenes which contain artificial light sources should almost always have low-key histograms, otherwise these will have significant blown highlights. This frees you from having to AE lock, and you don't have to think about how the metering system will interpret the scene. (ie. Taken a couple of months ago while explo, A portal to our Galaxy. Sometimes I think getting the color right is even more important than the exposure in the sense that you can miss the exposure a bit but if the color is right it still works. Using public key cryptography with multiple recipients. Photographers had to use hand-held light meters to determine the optimal exposure. The info still applies to modern digital cameras. Night photography usually involves extremely bright highlights in a sea of darkness. If your meter won't give a reading, try: 1.) Will add my way for action shoots in the answer. Is it usual that a narrow aperture gives a darker picture in aperture priority mode? Thanks, the images in question are more action type shots. I knew that the meter on the camera was kind of useless in such dark situation, so I brought my digital camera to help me determine the shutter speed and etc. The color balance and saturation (not too much, but just enough) is phenomenal. Of those referenced, the hardest shot for me would be #13, the one of the lady with posters that she was preparing to distribute that was taken early in the morning. How to sustain this sedentary hunter-gatherer society? The first part of setting your exposure for night photography is determining what exposure level is necessary. Learn to use your camera's exposure lockfeature. What are some alternatives if you don't have a flip screen in your camera? Selecting a faster film speed and/or a wider aperture to get the meter to read, then translate the reading for the slower film or smaller aperture you are using. sum I have 8 stops to compensate, Set speed to 256 seconds (1 second, 8 stops), Check the shoot and if required make some tuning. Indeed, cameras are made to behave like that when exposing automatically since they do not know if the photo should be dark or not. Contrast control is also important for such shots, particularly being able to avoid allowing the difference between the very bright light sources and the dark shadows from becoming too harsh.

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