To start you’ll need a main stereo bus for the entire drum mix. You’ll have to create another bus to send the drum tracks to a reverb plugin. Set these busses to output to the main drum bus as well. The trick to mixing the kick drum is balancing it with the bass. If you’re having trouble identifying the offending frequencies (like a stubborn resonance in the body of a snare) try using the sweeping technique: Additive EQ is typically done with broader, more colorful EQs. It’s common in many genres to replace individual hits in the drum mics with samples to change their sound. When a compressor is to provide special sonic effects, engineers tend to favor aggressive compression blended in via parallel processing. 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You might be surprised that I’ve left EQ for last in this tutorial. To help add a sense of depth, engineers send the individual drum tracks on an aux send to a reverb. var AdButler = AdButler || {}; AdButler.ads = AdButler.ads || []; Snare EQ; Snare Compression; Snare Reverb; Step 4: Kick. For instance, the API 2500 includes a unique "thrust" filter on its threshold detector, which prevents low frequencies (like those from the kick) from triggering the compressor too aggressively. Let us know in the comments below. Add some parallel distortion. Besides, every mix is different and it’s hard to give advice about which specific frequencies you need to address in yours. And if they’re not treated properly, they’ll … If you want to quickly and effectively take your drum mixing skills to the next level, check out Mixing Drums with Compression and Mixing Acoustic Drums in The Workshop Bundle. With the compressor set up in parallel you can use an aggressive setting that adds weight and power to the sound and blend the natural transients back in. The DAW era gave engineers access to many new tools to enhance their mixes. Toms sometimes get compressed as well, but it depends on how often they’re used in a song. Drums propel the rhythmic action of a song and getting them right is a great feeling. However, when blended back in with the dry drums, the sound may add that extra bit of 'umph' that supports the drum kit in an important way. To thicken and liven up the sound of the drums, it's very common to add parallel compression. Electric drums often take up less space than standard drum kits, and when used with headphones, they make a lot less noise. Try to use narrow bands with high Q values to pinpoint problem areas in your recordings. Get the ideas, tools and tips you need to grow your sound straight to your inbox. This is the subtle distortion that adds complex harmonics to your sound and makes it more present in the mix. In the past it was common to send only the close mics to the reverb, but this can result in a slightly strange ambience texture. Each plugin comes with a variety of presets to help you achieve your best drum tones quickly. So when mixing drums, you need to treat it with care. Different genres have different drum EQ, but those two areas are universal when it comes to a good kick drum sound. You may find that the hi hat's level is great in the verse groove, but that needs to come down a touch at other times – or that bumping it 1 dB in a certain section makes it have that much more impact.Towards the end of the mix process, setting minute details with automation can further tighten up the way the drums sound in the mix, and the way that the overall arrangement is driven home to the listener.In the end, you should have a kick that punches, a snare that cracks, toms that thunder, and cymbals that shimmer. Watch mixer Tony Maserati show advanced tips for refining parallel drums. Here’s an easy way to trigger samples with your drum mics using built-in tools in Logic Pro X. Learn how to mix drums from start to finish, from setting compression and EQ to correcting phase problems and manipulating transients. Doing both requires two … One way to put your drums right up front is with harmonic saturation. Thankfully, seasoned mixers Chris Lord-Alge (Green Day, Muse), Eddie Kramer (Jimi Hendrix, Led Zeppelin), Jack Joseph Puig (John Mayer, Lady Gaga), and Tony Maserati (Beyoncé, Jay Z) have helped put together plugins featuring easy access to their tried-and-true processing chains.The Signature Series plugins offer unique combinations of EQ, compression, reverb, and dynamics processing for kick, snare, toms, overheads, and room mics. Drum Mixers. Although drums aren’t intrinsically melodic instruments, they do exert a pitch, and it's important to make sure that they are in tune. This content is not available in your country. This is because I want to leave some headroom between the loudest peaks and 0.0 dB level to avoid clipping. If you’ve followed this guide and your drums still don’t have enough impact, you might consider this approach to help fix it. Unless using extreme creative effects, a good rule of thumb is to have the reverb channel just loud enough that you miss it when it’s muted, but not so loud that it sticks out much or demands focus when it's there.In this video, producer/engineer Billy Bush (Garbage, Jake Bugg) shows how he’s set up his session with the Abbey Road Reverb Plates, creating a large sense of space with each hit of the snare to complement the space of the track: Applying EQ, compression, dynamics processing and effects for drum mics can be a lot of work.

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