It's a way to generate a new melody that's structurally related to material you've already written. Ten more precious minutes into his brain... https://www.youtube.com/watch?v=e2nUoq3AqjA. (sorry if i wrote some notes or chords wrong i am from Croatia and we write musical things very differently here so yea). I thought all those music theory is actual just math statements were jokes.. Looks like you're using new Reddit on an old browser. Bach fugues work particularly well because self-reference remains intact, and sequences will still make some sort of sense. For C, this would be a half-flat E (a microtonal note). Now you compare all your chord roots to that axis. C-Ab-F -- F minor. Fast forward another 50 years to the mid 1980s. I'm not really sure that 'negative harmony' is a great moniker for this process either.. C-Ab-F -- F minor. If you start with white noise, and then start removing frequencies (filtering/eq), you can end up with really interesting results. To my knowledge (and please correct me if I'm wrong, I'm more classical than I am Jazz) it's essentially an inversion. Yeah, I it's pretty much inversion. Let's l… This is a normal sentence with no special emphasis.) ('Seldom' is in the normal place, so we don't use inversion. So in terms of negative harmony, the equivalent of G7 is Dhalfdim7 (or Dm7♭5). Is there some sort of graph/chart/ visualization for this? Each pitch that was below D4 is now the same distance above it, and vice versa. ('Seldom' is at the beginning, so we use inversion. Edit: I'm not criticizing Tom, who did a great job explaining it. The resulting cadence is a minor plagal cadence, totally different effect from the Phrygian-sounding cadence before. https://www.youtube.com/watch?v=InrRZiKaZKk When Jacob talks about the 4 and plagal side being a darker side and the 7 and sharp side being bright, that stuff is perfectly elaborated in Don Freund's spectrum of 5ths and that way of looking at music where notes lay on the spectrum of 5ths, which is basically like the circle of 5ths, except it goes back into enharmonic sharp and flat infinity on either side. It's just inversion. In reality, a negative harmony could actually be something like a subtractive synth. We start with the idea of melodic transformation by inversion. I just think it's a bad term and shouldn't be used. Why make a really simple and useful idea into something that sounds way more convoluted? There are 3 main meaning of inversion: 1) "Negative harmony" is mirror inversion, and is not the usual meaning of chord inversion: you reverse the order of the intervals; M3-m3-m3 (V7 chord C-E-G-Bb) becomes C-Eb-Gb-Bb (m3, m3, M3). That's all it is. If your melody goes up a m3, the transformation goes down a minor third. Inverting around this microtonal note, G7 becomes Fm6 (F, A♭, C, D). Not sure why this was downvoted. I’ve recently been studying a lot of music theory, from AP textbooks, to YouTube channels, and of course this sub. Can anyone clarify? There are far better names for whatever 'negative harmony' is meant to describe. D is a perfect fourth below the axis of G. A perfect fifth above it is C. G is the axis, so we leave that alone, and C is a perfect fifth below - a perfect fifth above G is D. Now we've inverted the roots around the axis. I'm mishearing the video maybe. A while ago I published a video explaining Negative Harmony, an interesting theory used among others by Jacob Collier that allows you to create new and spicy chord progressions. https://www.youtube.com/watch?v=K_RNxy4cr_o This 2nd vid is from a lecture analyzing the well tempered clavier and is some of the best stuff out there for anyone interested in that, but he also incorporates that bright and dark side spectrum of 5ths analysis. So.. tl,dr: inversion of chords around a pitch other than tonic (while keeping the chord quality the same), and in reality it's not as innovative as it sounds. So what is it? You are flipping it over the chord root. To my knowledge (and please correct me if I'm wrong, I'm more classical than I am Jazz) it's essentially an inversion. Invert flips the audio samples upside-down, reversing their polarity. Eyyy my music theory teacher showed us one of his interviews and he's mind-blowing. It is negative in the sense that major inverts to minor, but minor also inverts to major, a brighter mode. It makes sense to direct people to the search bar for answers to questions that have all been answered thoroughly before. So the negative harmony of C Major is F minor. My criticism is of Ernst Levy for coining the term to begin with. Its fun to combine those inverted notes with the inverted chords in improvisation and composition.

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