This approach is also quite versatile. Three microphones are ideal for most drumset work. For this technique, position the microphones as you would for the two mic X-Y, again, two cardioid condensers making a 90 degree angle above the kit. Otherwise, it would get lost underneath everything else in the final mix, making the drums lose a bit of punch. The third mic will be a dynamic cardioid microphone for the kick drum. Glyn Johns Shows His Mic Technique 1 - YouTube. You may decide to place it a few inches from the beater head or you may want it closer to the outside of the drum head. For the overhead mic, place a condenser (set on a cardioid polar pattern) two feet above your cymbals and pointed down at your drum set. Point the first mic at the snare set about two inches away and directed towards the middle. Here’s a … The first two microphones that we will place will be the snare drum and the kick drum, for both of which we will use a dynamic mic (set to cardioid). Now we’ll add a third. Here are other options: Kick, Snare, and Overhead So far in this series we’ve looked at mixing a drumset with one and two microphones. Do I hear the attack of each instrument, and is the sound clearly defined? This is a very minimal drum miking technique that yields surprisingly huge sounding results. Skip to content. Some engineers measure the distance precisely and pan the mics extreme left and right, while Johns himself used a more instinctive approach with a narrower stereo spread. Opt out through the unsubscribe link in any marketing email. The bass drum mic just helps fill out the low frequencies. The fewer microphones used, the more responsibility gets placed on a solid, balanced drum take. A third mic is used on the bass drum and sometimes a fourth is used as a spot mic on the snare drum. The third mic will be a dynamic cardioid microphone for the kick drum. Even when I’m employing multiple mics, I find myself getting most of the sound from just three, usually a stereo pair over the drums and a single one on the bass drum. As you experiment with and listen back to the sounds captured from the examples discussed here, key in on the stereo field (the spread from left to right) and the detail of the drums and cymbals. Place the mic inside the kick … The reason is simple enough: The stereo overheads are the closest thing to the drummer’s ears in terms of capturing the natural balance of the kit. Receive updates & special offers from Modern Drummer and our advertising partners. This article is an excerpt from the April 2015 issue, which can be purchased at here. Are all of the drums and cymbals balanced? The purpose of this mic is to fill in the kick drum so that it is more apparent and punchy in the drum mix. When miking in this configuration, you are able to prioritize your sound to focus on two drums and capture the remaining ones with an overhead microphone. Three microphones are ideal for most drumset recording, usually a stereo pair over the kit and a single one on the bass drum. Position 1: Stereo Overheads and a Bass Drum Mic. X-Y Setup plus Kick For this technique, position the microphones as you would for the two mic X-Y, again, two cardioid condensers making a 90 degree angle above the kit. For the overhead mic, place a condenser (set on a cardioid polar pattern) two feet above your cymbals and pointed down at your drum set. The second microphone will be placed inside of the kick drum, positioned to your sound preference. A quick and simple way to setup a drum kit with three microphones would be to simply add a snare microphone to any of the two microphones methods mentioned before. Drum Miking 101, Part 3: Three-Mic Setups. Ask yourself a few questions: Do I get a clear representation of the set and a good overall tone? Episode 82: Clyde Stubblefield, Improving the Double-Stroke Roll, Istanbul Mehmet X-Ray Series, and More, Bon Jovi’s Tico Torres Visits Modern Drummer Online, Part 2, Edgar Winter Band Performs “Frankenstein” on, VIDEO – Tycoon Percussion NAMM Show 2014 New Gear Coverage. For more insight into the miking techniques demonstrated in this video, check out the complete article in the April 2015 issue of Modern Drummer, available at here. Copyright © 2020 Modern Drummer Publications. The third mic will be positioned as a close mic on the kick drum. All Rights Reserved. If something sounds too loud in the overheads, you may want to look at the instruments you’ve chosen and, more important, your playing itself. X-Y Setup plus Kick By submitting, you agree to receive communications (emails & texts) from Modern Drummer. Place the mic inside the kick and adjust until you achieve the right amount of bass drum.
$1000 No Deposit Bonus Codes Usa,
Biology Course Objectives,
Adding Multiples Of 10 Game,
Why Did Peter Want To Make Three Tabernacles,
Paneer Tikka Wrap,
Olive Garden Dressing Costco,
Iiit Hyderabad Cutoff,