To reflect our commitment, we updated our terms and conditions. By continuing to use Reverb, you agree to these updates, and to our cookie policy. The challenge with the 201, as with most dynamics, is noise. Beyerdynamic M201 This makes the need for a high quality preamp a factor if quieter sources will be captured. I have used it on other sources (like shakers / tambourine etc) but that's my favourite use for it. Delicate workmanship and exceptional materials form the foundation for our timeless classics. When you buy products through links across our site, we may earn an affiliate commission. In fact they are probably my all-time favorite tom mics, with the only downside being their length which can make them difficult to place on busy drum kits with low-slung cymbals. Other things I have found this mic to work well on, are congas, and in general most percussion instruments. To me, it's a studio-standard, alongside the likes of the 57, 421, m88 and 4038 - quite affordable and yet so versatile. The Beyerdynamic M201 is designed for instruments and has become an industry favourite over the years. By clicking Subscribe, I agree my data may be used for marketing purposes including email communications and third party marketing. The C1000S starts to go at 200Hz and the M201 goes at 100Hz. Sadly, in Australia these things are damned expensive (RRP of about $450! Please check the fields highlighted in red. The Beyerdynamic m201 is a fantastic microphone and is a mainstay at many professional studios for good reason. I'm also a massive fan of the M69, M88 and TG-X50, but less so of their condensers (I have a matched pair of the 930s. For that matter, it's nice not to have it on a lot of clean tones either, say a Tele or Strat via fender amp, with a lot of snappy transients. Oops, looks like you forgot something. Learn More, Front End Audio - Your Ultimate Pro Audio Dealer. Peace, I've also used my 201s to record speech in noisy situations where condensers couldn't cope: the 201's gave a much cleaner sound, but bear in mind the low output of these mics means they will require a quality pre-amp with lots of quiet gain in this sort of situation. Or horns? This mic is widely used on electric and acoustic guitars, strings, and rack toms, but anywhere you might use an SM-57 this mic is a much better choice. This becomes apparent when recording vocals or acoustic sources with it, because the results are usually better than you'd expect. It'd be a hard fight between one of these or an m88 for a desert island mic for me and I have the feeling this'd win out as it's a little more road-hardy, either way, I wouldn't have to worry about the desert island having phantom power. Glockenspiel? ... but is equally at home on a guitar amp or a hi-hat or acoustic guitar that you don't want to have a ridiculously extended (and hyped) top end - in a pinch it can even be used as a kick-drum mic! ), but is equally at home on a guitar amp or a hi-hat or acoustic guitar that you don't want to have a ridiculously extended (and hyped) top end - in a pinch it can even be used as a kick-drum mic! If you're recording bands and drums, try one out! If you're just doing electronic music and not recording drums and/or electric guitars, perhaps you don't need one. Mix to taste with a small or large condenser, and is often better to my ears than most ribbons. The M 201 TG, a microphone produced from the very start in Germany, exemplifies the single characteristic that has most closely defined beyerdynamic for decades: high-grade craftsmanship. It is also an extremely rugged mic due to its solid machined brass body (in over 33 years I've only seen one broken one) and is capable of very high SPL. In a lot of cases, the 57 works great because of it's resonant sounding 'peakiness" in the upper mids, great for rock snare etc. My menu eates like a sandwich. Thankfully ebay often has m201s available for around $200 and the world of online shopping has opened up the marketplace considerably. For acoustic guitar, these two microphones are well suited. It just sounds good! Really great for Snare and Care Bear takes. It is nice to not have that peak that a 57 gives you in the high mids on really distorted, hi gain tones. United Kingdom, Your purchases also help protect forests, including trees traditionally used to make instruments. It tends to negate the need for two mics on the top-skin for me (giving me both low end reach and top-end extension). This mic simply has detail that you just don't hear from many cheaper dynamics (particularly, the studio-standard SM57), so when I don't want that thuddy sm57-on-snare sound, this is the first mic I reach for. This mic doesn't get enough love around here, and it ought to. The flip-side of that is they don't require a pad to cope with very loud sources such as close-micing a snare or a guitar cab... did I mention they sound great on guitar or bass cabs btw? No worries, these mics can do all the above and more. Not only can it handle an obscene amount of gain without humming or feeding back, it does so with a beautifully rich expressive sensitivity. Can you tell I like them? Hey! That said, in cases where you want the snare to sound more like the actual snare drum, but maybe not have quite the sensitvity of a condenser, this is where it's at. Not that they're bad, just not quite as amazing as their dynamics). So, punching it up in a dense mix, or making it cut is not an issue. heh The M201 is a versatile live mic, excellent for percussion, brass, guitar … Crisp Takes eq well, and can take a pretty huge dose of compression / limiting before your tone "falls apart". I own two old "NC" versions of this mic, but one of them is broken, apparently after being soaked with water in a leaking tour bus trailer. I usually like the sound of a 201 better than a '57 in this position, and the tight hyper-cardioid pickup pattern can be very useful to exclude noisy hi-hats. Plus of course I only have two! In the words of Steve Albini, "If the SM57 were a microphone, it would sound like this". It's natural with a vintage vibe, but just the right amount of top end to make the recording cut through. The microphone also employs a "hum-buck" coil that rejects mains borne interferenc…, Beyerdynamic M201 Directional Hyper Cardioid Black. Used by quality recording studios and sound reinforcement companies throughout the world. The Beyerdynamic M201 TG was recommended to me by an engineer at a very high end classical guitar dealer, and it has absolutely solved all these problems for me. Guitar and bass cabs? If you buy a new one it comes supplied with a foam pop shield for the end: its less commonly known that with this foam end in place the M201 also makes a killer vocal mic, especially for female vox. Good, solid build, like all Beyer mics, and it's appearance belies what the mic is capable of. I know I keep saying this, but it really does sound like a condenser mic, but without the things in the top end that would sometimes make a condensor not a good fit. In fact I've placed a 201 side by side with my Beyer M69 in the past, and the two mics sounded pretty much identical on my voice, and the girls I put them up for. It's pencil shape and small size is also a good thing in tight spots, or when used in a stereo configuration. Follow this product to see new listings in your feed! Based on your location, we've changed your settings: Shipping Region:
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