Looking for suggestions for mic placement on a drum set for live performance. They are also particularly adept at handling high sound pressure levels.Microphone techniques for kick drums vary greatly from engineer to engineer and from genre to genre. When it is necessary to use multiple microphones, phase problems can be minimised by using the 3-to-1 rule. Consider using a purpose built kick drum mic to boost the bass drum and either a dynamic or condenser to emphasise the snare. The next step, of course, is to put your hard word into action by recording and mixing your drums. Once again, whenever two microphones are used to capture the same sound source, phase coherence can become problematic. November 25, 2020, Marc Henshall | Phase cancellation happens when two microphones are receiving the same soundwave but with opposite pressure zones. Snare - The jury is still out on whether a dynamic or condenser works best for snare drums, and much will depend on style and taste.By far the most common approach is to use two microphones: with one placed above the snare to capture the 'crack', and the second placed beneath to give you more 'fizz'. By far, the biggest mic-placement challenge most live sound engineers face is choosing and placing the right drum mics. Audio-Technica has 3 basic techniques for setting up your overhead mics for recording drums. Once you're satisfied with how the drums sound, the next biggest influence on how your final recording will sound is the room it's in. Kick Drum - The vast majority of kick drums are recorded using a dynamic microphone, and ideally using one that's purpose built for the job. Failure to do so can result in a weak sounding recording. Check out the drums on 'When The Levee Breaks' for example.Whether or not you decide to let natural acoustics shine is a matter of personal taste, genre – and in certain cases – luck. It requires a great deal of patience and a skilful drummer to achieve excellent results. The idea is to treat the kit as one entity; using a minimal amount of microphones. In other words, if you change your mind about the room ambiance later on, you can easily change it. The overheads are also important, but less important in context with the kick if you're working on a close-mic model for recording drums. Fade up each individual track in turn and flip the phase polarity, Listen for which setting sounds 'bigger' or 'fuller'. The most common is referred to as the A/B technique. There are lots of different approaches for overhead mics, ranging from Eddie Kramer’s 3 … The overheads microphone placement I used on the last Siddharta acoustic tour originated in the latter approach. Mounting to the drum's existing lug casing fasteners and cabling routed through the drum's vent hole with the provided patented AVC connector, the MAY IND provides a non invasive, maximum impact miking system for your snare, floor, rack tom and kick drum without any drilling. Phase problems are a whole separate topic, but, in short, try flipping the phase inversion switch on one channel if your mixer or audio interface allows. Much like our Led Zeppelin example mentioned earlier, this technique is particularly effective in capturing the attack and dynamic range of the drum kit.If you decide this approach is right for you, it's best to start with the overheads. KSM44 large diaphragm microphones used as overheads in the A/B formation. Over time, the introduction of purpose-built, discreet condenser microphones have made it much more practical for engineers to harness the superior transient response of condenser mics, without risking damage to their favorite mic. When not at work he enjoys playing the guitar, producing music, and dabbling in DIY (preferably with a good craft beer or two). Share Quote. Again, two very different approaches should be considered depending on a number of factors. Two very different approaches apply here: 1) Embrace the natural acoustic qualities of your room. Halfway inside the drum: You can modify the preceding miking technique by moving the mic back so that it’s about halfway inside the drum. The tricky thing about drum mic placement for sound reinforcement is figuring out exactly what you need to mic up. The whole kit. DRUMS ROOM MIC Placement and Sounds. Purpose-designed kick drum microphones have a tailor-made frequency response designed to compliment the low-frequency power and the attack of kick drums. However, if you're lucky enough to have an interesting sounding space – try experimenting and embracing the room. Given the breadth of information already covered, we'll leave this topic for another post. In the past, we placed a mic on the front of the bass drum and one on the snare batter only. i have used a U87 through a API and a distressor in the past.

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