Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. This low-profile microphone with integrated XLR preamplifier is perfect for kick drum and other low frequency applications. i mixed a couple of tracks for a local band, one of the kick mics used was the sm91. Und falls ihr innerlich \"Blöde Frage, natürlich kenne ich Grenzflächen!\" gesagt habt, wird euch aber sicher die Frage interessieren, was das Beta 91A von Shure so auf dem Kasten hat. ). I use a Beta 91 as my main mic; it's got great attack without that "basketball" quality that the D112 has. Shure Beta 91A Kick Drum Microphone New, in box. Classified Ads . It's a winner, Hi Dan...I'm new here (longtime lurker,though!) and I just PM'd you with a link. Ditto on the ease of editing and triggering. Behringer has announced the BA 19A Condenser Boundary Microphone and B 906 Dynamic Microphone. That way you can control the click and boom of the heater and shell seperately. Hey there! It has a two-position contour switch for optimised sound signature depending on application. No idea where to go for a listen though, sorry. Tailored for bass-heavy environments, this microphone features a powerful low frequency response and integrated preamplifier and XLR connection for easy setup and minimal stage clutter. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. My only experience with the 91 is live, but I use it and a Heil PR40 together in the kick drums (yes plural). Shure use to make the sm91 which has the same body but different capsule. Hey there! Now will always try the beta 91 first - I totally love the warm, powerful bottom end which I find I can achieve without much effort at all, though I must admit to boosting around 50Hz by a lot with Duende channel EQ (as well as notching out some mid, and boosting up high too, beyond the click. If you're after lots of click and not too much else it might be fine. Your current mic is fine. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. Depends on the music and the drum its in. Many people including myself perfer the sm91 to the beta. The Shure Beta 91A studio mic is a specialized microphone with a funny design that makes it great at doing what it’s supposed to do: recording the insides of an instrument. I have one, and so far I like it, I use it inside the kick blended with the may mic that comes inside the DW Subwoofer. It makes it easier to place the D112, which for me is somewhere right at the soundhole, mic outside, peeking inside. Most notably, inside of a kick, or inside of a piano. The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. We don’t know the prices yet, but this is Behringer, so they’ll be quite cheap – or affordable, whichever you prefer. Less EQ needed on the Audix. Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. I also put the subs on an aux send so I can dial that in and out as the song dictates. The D112 sounds a little flat for my taste. I have both the beta 91 and D112. The beta 91 is more useful for inside mic when double micing kicks than being used on its own. I disagree - I used to use D112s (coupled with 421s usually) but find them muddy and boring without spending a lot of time. I like it for live sound, especially when coupled with a D112 or Beta52. I have absolutely no click with the beta 91 and it sounds absolutely fantastic with the right amount of punch and attack without sounding too fat. If you're looking for something to blend in with a mic you've already got it might well be a good option. The Audix D6 has a scoop to the frequency response, the Beta 91 does not. I have to change my kick mic, a Sennheiser E902: I like the sound and how I can manage it in the mix but talking with some sound guys, they told me it tends to pick up too much low frequencies than other mics, even from indirect close sources like bass amp or lower freqs of guitar amps. I almost always prefer the sm91 on the kick drum. Cheers for the replies and links guys...I'm interested to try one now. I have a beta 52 and a sm91. 819's usually go for about 45.00 on ebay D6 or the hated / loved D112 if you want a lot of eq built into the mic. MySpace.com - Emerald Honor(March 15th @ The Clubhouse) - Phoenix, Arizona - Rock / Experimental - www.myspace.com/emeraldhonor, MySpace.com - Novella ( NEW SONG UP NOW! Shure also made the sm90 and 819. I’d probably lean towards the D6 for metal, Hi everyone, I've got a doubt about my next purchase and I'm here to ask some help choosing what's better for my use. He's talking about the venues they play in and sound guys. Second reason, the Shure Beta 91A drum mic has a super-flat frequency response all the way up to 20,000 Hz, where it begins to increase and give more presence. Shure BETA 91A. An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. Are you looking to get your 1st kick mic or are you looking to expand on mics you've already got? The Beta 91A requires no external … I have never had a kick drum sound good with just the 91, but it is useful when combined with another mic. If your going to upgrade it, I'd go with two mics on the kick. I have used the 819 many times and lobed it as much as the sm91. 2. I picked one up recently and dig it. Pictures Of Mic'ed Up Drum Kits In The Studio. As with everything, it's all subjective to taste. Als Bestandteil des Tests mehrerer Shu… The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. Product presentation . About as different as you can get as far as kick mics go, D112 to Beta91. I suppose the studio equivalent of subs on an aux would be using a subkick. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. With the new mics, which closely resemble the Shure Beta 91A and Sennheiser Evolution e906, respectively, the company continues on its mission of cloning some of the most successful microphones around. When you buy products through links across our site, we may earn an affiliate commission. Prices starting at $239 average price: $239. Kick2_with_crash.wav (895.8 KB, 9682 views). Christopher Bay. - SAINT LOUIS, Missouri - Rock / Metal / Visual - www.myspace.com/novella, MySpace.com - The Cover Up (NEW SONG) - Tempe - Rock / Hardcore / Punk - www.myspace.com/thecoverup, Pictures Of Mic'ed Up Drum Kits In The Studio. First, is that true that comparing to other mics it has this little lack ? Believing what they said, I was looking for some other mics and my choice would be between Shure Beta 91A and Audix D6. Any mic will pick up other ambient sounds, and even if the E902 does pick up more, it would probably be subtle. sounded artificial, like plastic if you know what i mean. ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). \"Wer keine Grenzfläche kennt: Finger hoch!\" Falls ihr zur Verwunderung etwaiger Zuschauer vor dem Computer mit dem Zeigefinger tatsächlich Löcher in die Luft piekst: Macht nichts, ich erkläre es gleich kurz. I keep getting this problem that it's ok when sound checking the kit but when the Because of its shape its a bit limited on where you can place it too. replies: 5 views: 1992: Dman2304 10th July 2018 : Post Reply Welcome to the Gearslutz Pro Audio Community! No clicking and I use plastic beaters on a Evans eq3 batter with a patch. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response.

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